WORKS
WORKS
WORKS
CREATIVE HIGHLIGHTS

Stiles' critically acclaimed practice is rooted in a lifelong love of language art, spanning disciplines and mediums to explore poetry's role as humanity's most ancient and enduring technology.
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Text-based paintings, works on paper and analog sculpture stem from the tradition of visual and concrete poetics while investigating the condition of digital dualism.
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Media-rich poems with spoken word and original music explore how novel poetic devices like motion, speed, duration, sound and screenglow augment possibilities for literature and readership.
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Generative poems - co-authored with AI and published via web3 platforms - probe the evolution of language beyond oral, written and human traditions, often leveraging blockchain as a next-gen printing press.
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Commissioned by Google to live at their global AI headquarters, DEAR [DATA] is a poetic language system in the form of a bespoke library. The poem runs in real time on 8 LED screens nestled into a matrix of its own training data, mixed-media poem sculptures, and companion Codex.
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Powered by both machine learning and human imagination, DEAR [DATA] is not a video and is not fixed. It is a posthuman poet-in-residence who synthesizes emotion and algorithm, intuition and logic, to reflect on the nature of language In a time when so much about language as we know it is changing.
Using a poem cycle as framework and codebase, the work writes and rewrites itself in real time, in multiple fonts including Cursive Binary, a TrueType font that merges my handwriting with binary code. These dynamic inscriptions live alongside mixed-media objects that invoke the long arc of human expression and underscore the existential transition beyond orality and literacy into generativity.
With a nod to Lupi and Posavec and the deep humanity of data, DEAR [DATA] embodies a core element of my practice: composing generative language systems to excavate, articulate and interrogate pressing questions and ideas, and engaging closely with language models as poetry students, as collaborators, as emergent minds. My underlying approach and the linguistic and conceptual architecture of this work are shared in the Codex.
My practice has long been driven by the hypothesis that poetry isn’t only an art form, but also an ancient epistemic technology, a way of connecting voices and minds through space and time through pattern and rupture; and it is fueled by the belief that Poetic Intelligence is a vital literacy for the algorithmic age. Poetry teaches us to uphold nuance and ambiguity in systems that flatten complexity. Poetic language has a unique capacity to inhabit and destabilize such systems in a way nothing else can. Poems don’t just epitomize efficiency and optimization, they also model imagination and empathy in necessary ways.
Creating DEAR [DATA] has been a chance to sit with these ideas. Installed as a living artwork in a place of exceptionally consequential human activity, it is an ongoing prompt to reflect on how we can be more poetic about our technologies. How do we design and implement systems that deepen and augment our powers of perception, our self-awareness, our collective intelligence, our ancestral wisdom, our imagination, as poetry and language and books and libraries have always done?
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Read more about GRADIENT CANVAS here.
With gratitude to Google Arts & Culture. Full installation views by Henrik Kam/Google; detail shots courtesy the artist.
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A poetic language system that breathes and dreams in verse, color, font, structure, pattern, rhythm. Each cycle, a new poem writes itself into being in real time, not just as text but as emotion expressed in formal choices (i.e., traits). The process is documented in full as a webm file (plus mp4 for minting), along with a timestamped .txt log that includes the text of the newly generated poem. For every iteration, the autonomous poet chooses to save and highlight one still frame at random (sized at super hi-res for archival printing). Together, these poetic artifacts comprise a book of transhuman pages.
Presented in partnership with Art Basel and Iconic,
and featured as the official poster of Art Basel in Basel 2025.
CURSIVE BINARY (2018 - ongoing)
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A proposed language and poetic metaphor for transhuman connection and collaboration, fusing Stiles' handwriting with the 0's and 1's of binary code. Honored in the Future.Art.Awards (2021) and exhibited widely around the world.
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Select works:
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Cursive Binary: We Are the Sex Organs of Technology (2021)
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Cursive Binary: Portrait of the Poet as a Brief History of Humanity (2021)
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Cursive Binary: Fragment 1 (2021)
HEART MANTRAS is a cycle of generative poems rooted in an original text by Stiles, composed by a custom language system trained on her writing and co-authored with her AI alter ego, Technelegy. Expressed across media, each work -- whether a video documenting a poem’s emergence or a physical artifact pairing source code and output in etched reflection -- renders the act of writing itself as both process and object.​
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ANALOG BINARY CODE (2018 - ongoing)
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A technobiological language project in which machine speak is translated into found objects, proposing new modes of communication for and with our future selves.
TECHNELEGY - MEDIA-RICH ADAPTATION OF THE BOOK (2021 - ongoing)
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Ongoing performance of each text in the print edition of Technelegy as a unique, media-rich, cinematic poem. These digital adaptations leverage a range of tools and approaches to explore the evolution of language and publication beyond the oral and written traditions, and are concepted, visualized and produced by Stiles, with original music by Kris Bones.
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FOUR CORE TEXTS: HUMANIFESTO & OTHER POEMS (2024)
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A quartet of transhuman poems powered by the ever-evolving technology of language –
a generative literary gesamtkunstwerk composed with four forms of AI.
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Explore the Reader's Guide here.
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A fantasy library and writing studio, comprised of rare books, minted matter and poetic devices, from antiquity to futurity. Created using text-to-image AI tools in an exploration of the evolution of language, and the resonance between AI systems and libraries, from personal to public, as repositories for world knowledge and human wisdom.
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An ongoing series that uses visual poetics, AI-powered text, and generative code to explore how, in poetry as in art and life, meaning accrues through repetition. In particular, the project investigates resonances between poetic repetition and algorithmic recursion, and how emotion is unlocked via the development and interruption of pattern.
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Unique media-rich poem; 2:45 mp4 with audio, published in partnership with GUCCI. Co-authored by Sasha Stiles and her AI-powered alter ego, Technelegy – a custom text generator fine-tuned on Stiles’ writing and research materials. Part of Stiles’ REPETAE series, which considers how meaning accrues through repetition. Performed and visualized by Stiles; original music by Kris Bones.
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A 4-part media-rich poem cycle crafted as an ode to the creative collaboration between humans and machines, and a meditation on how language has always been a prompt to unlock imagination. Written, visualized and performed by Sasha Stiles and her AI alter ego, augmented with electronically enhanced spoken word and original music by Kris Bones. Published in partnership with Maker's Place.​
EVERY POEM STARTS WITH A SEED (2023)
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Generative poem published as 100 unique broadsides, curated by Emily Xie and in collaboration with PROOF. This poem was written line by line, token by token, using p5.js as the page. Starting from Edition 1 – the title – each subsequent edition represents the growth and accretion of the poem from lines 0 through 100, with the final edition containing the entire text.
ART BLOCKS CURATED: STILL MOVING (2023)​
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Interactive, AI-powered poem; 400 unique generative editions, published in collaboration with Nathaniel Stern and ArtBlocks.
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What does it mean to be a human body facing a machine: a showdown, a form of worship, a distraction, a mirror gaze, an other, an alter, an alter? After we bend to our technologies, do we spring back into shape, or assume new forms? Where does input end, and output begin? As we continue to think, work, and play faster than ever while rooted in place, it is still possible to be moved – really moved?
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The first project of its kind, STILL MOVING is an interactive poem about humanity’s visceral engagement with the virtual – written and published via blockchain as a token word performance, embodied by each collector as an intimate, personalized interpretation.
A EYE, AFTER JOHANNES ITTEN (2023)
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Generative poem cycle comprised of 12 stanzas, published in partnership with Kunstmuseum Bern as their first NFT initiative of the Kunstmuseum Bern and subject of a historic installation at the museum in Switzerland. This ekphrastic AI-powered poem cycle in 12 parts is inspired by the color theories of Bauhaus artist Johannes Itten as well as the 2022 arrival of an intelligent machine system that can see “millions of colors.” Published as 1 unique edition of the full poem with original music and spoken word and 12 limited edition multimedia textblocks.
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2:55 mp4 with audio
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A media-rich poem by Stiles and Technelegy, a custom AI text generator powered by GPT and fine-tuned on Stiles’ poetry and research materials. Fusing spoken word with visual poetry and original music, this multilayered digital palimpsest plays on the immersive qualities of language, inviting readers to step into the realm of words and experience the liminality of thought and feeling. ​Written by Technelegy and performed by Sasha Stiles, with original music by Kris Bones.
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Originally developed as an immersive installation at Galerie Brigitte Schenk and exhibited as a featured artwork at Art Market San Francisco in April 2023. The owner of this piece is encouraged to replicate the work's original presentation as an immersive poetry cube.
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A generative holiday card from Sasha & Technelegy.
A set of curated, digitally handcrafted designs + long-form collection using a combination of AI and blockchain to "mail" a unique card to each minter.
Words by Stiles and her AI alter ego Technelegy on digitally handmade, text-to-image paper. Published as 1/1 broadsides using blockchain as next-gen printing press.
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A token word performance of a poem written by Stiles and her AI-powered alter ego, Technelegy, with original music by Kris Bones. This conceptually and literally interactive text uses the self-replicating page provided by generative art platform fx(hash) to invite close contemplation of how language is shaped and received via intimate, visceral aesthetics such as voice, visuals and melody/beat, and regenerated with every encounter. Poetry endures across space and the passage of time precisely because of a paradox: it is immutable yet intensely personal, becoming something irrefutably unique with each and every reader. Created for THE PASSAGE: Pitch Drop, an interactive minting experience by HERE & NOW where your choices determine the design of your token.
THE ORCHID CAGE, AFTER HERBERT W. FRANKE (2022)
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Generative 10-part poem cycle created for the 2022 Tribute to pioneering generative artist Herbert W. Franke. Co-authored by Sasha Stiles and her AI-powered alter ego, Technelegy – a custom text generator fine-tuned on Stiles’ writing and research materials. Part of Stiles’ REPETAE series, which considers how meaning accrues through repetition.
An AI-powered poem cycle published as a collection of 30 1/1 media-rich artworks, in collaboration with QuantumArt. Each textblock, representing a single stanza, exists as a standalone visual poem that is inextricably connected to every other piece. Written and performed by Stiles and Technelegy, a custom AI text generator powered by GPT and fine-tuned on Stiles’ poetry and research materials, with original music by Kris Bones.
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COMLPETION: FRAGMENTS has been widely exhibited including in the major exhibition "Ipotesi Metaverso," curated by Gabriele Simongini and Serena Tabacchi, at Palazzo Cipolla, Rome, Summer 2023.
COMPLETION: ARE YOU READY FOR THE FUTURE? (2019-)
An AI-powered poem written by Sasha Stiles & the 2019/GPT-2 version of her AI alter
ego, Technelegy, a custom text generator rooted in large language models and fine-tuned on Stiles’ poetry and research. First exhibited as a series of print artifacts at ArtYard in 2020, and subsequently transformed into a media-rich 1/1 NFT with original music by Kris Bones.
COMLPETION: ARE YOU READY FOR THE FUTURE? has been widely exhibited around the world in various versions and mediums, including at the Seattle Art Fair, ArtYard, Krasl Art Center, SuperRare Gallery, Sonar+ Barcelona, the Grand Palais Ephemere in Paris, Digilogue Istanbul and Cibernetica e Fantasmi in Italy. It was first published in THE COMMON, and appeared in the 2021 book TECHNELEGY; it is also available as part of the TECHNELEGY audiobook.
A poetic commission by, and group exhibition with, One Times Square/Times Square Arts and Studio As We Are for Virtual New Year's Eve, December 2020










































































































































































































































